We’re back here for day 3 in our continuing interview series with the acts performing at our video release show, which in case you didn’t hear is TOMORROW AT 6PM AT THE CROSSROADS THEATER ON 27TH AND WELTON.
Today we spoke with Glowing House, whose tunes are the absolute definition of grace and beauty. You can hear for yourself here.
What inspired you to make music, and at what point did you make the decision to start a band?
That’s always a tricky questions because I know it was many factors. My parents were very determined to keep me involved in music. If I quit one instrument, I had to pick another. So I played piano as a kid, then saxophone, and finally I picked up the guitar when I was 15. That’s when I really started making music. I was pretty shy due to a stutter I’ve had since I was 8, but it’s very rare to stutter while singing, so it was a fantastic way to present my thoughts and feelings to people without worrying about stuttering. I feel like the band formed itself really. I met Jess on the first day of songwriting class during my last year at UCD and after a while of playing as a duo, we asked Patrick Kline if he would want to drum for us and things have been great ever since.
What’s your creative process like? Do you write on your own and then show the other person for feedback, or is it collaborative from the very beginning of a song’s life?
It’s really become a team effort. At first, we were playing songs that Jess and I had written before we met, which are the songs on our first album. Since then, everyone has been contributing a lot the best they can. Jess and I write the lyrics and music and then we present it to Patrick, who invariably comes up with a really cool rhythm; it’s just fine-tuning harmonies and arrangement from there. The ideas that Jess and I present to each other are always at various levels of development. I might play a chorus for her that I like, she might have a simple phrase that she knows can be a song, or one of us might even present a complete song to the other for critique. I should mention, however, one of my favorite guitar parts that will be on the next album – the finger-picking sections of Any Part of Her - was actually written by Patrick, so there’s no telling at this point the extent at which each of us will contribute to future songs.
A few days ago your Twitter mentioned that you’re recording a new record in a church. Where are you recording, and can you tell us anything else about the upcoming album (like when we can expect to hear some songs…..)?
We are recording the new album at Morrison Community Church, which is a small, white chapel built in 1885 tucked in the heart of Morrison. It’s an amazing place to record. We actually did our first album there as well, but this time around the production duties are in the hands of Jamie Mefford, the engineer/producer behind Gregory Alan Isakov’s albums and Dan Craig’s new EP, which are just two of his great works he’s done in town. Unfortunately, there won’t be any music from that record for a while. We just started tracking the first guitar and vocal takes so it’s a long road ahead. We have plans for an EP during the wait, but those details still need to be hashed out.
You just made a music video with CAM Records. Which song did you use? What was it like making a music video?
We used our song Taming Lions, which is becoming one of our favorites to perform. Making a music video was a lot of fun. It was hard to get everyone in the same place, so our video is basically the material from one afternoon of shooting, but we’re really happy with the outcome. There’s definitely things we will do differently next time around, but it was a really interesting experience to see how a video is done. I never realized how many times you have to play the song for all the different angles to be shot! We were definitely tired at the end, but I can’t wait to do it again sometime.
Do you play cover tunes? If so, what are some of your favorite songs to play?
There are a couple cover tunes we enjoy. Gillian Welch’s Look at Miss Ohio is one that we indulge in occasionally, but the real crowd-pleaser is Oo-da-lally from the animated Disney version of Robin Hood. People love hearing that song and we worked out some great harmonies, so I think it sounds great too.
What’s the worst gig you’ve ever played? What’s the best gig you’ve ever played?
A band in town asked us to open for their CD release show. It was at a great venue in town and CD release shows are always beneficial, so we were optimistic for sure. Our set went fine, it was the way the headlining band acted the rest of the night that made it so horrible. Their music was awful and it just became a room full of sloppy drunks. Ever heard a band call for their own encore three times? We have. Our favorite gig was pretty recent actually. We opened for The Centennial (members of the former band Meese) at the Hi-Dive and other than the fact that our keyboard stand got stolen and our truck got towed while we were loading up equipment, it was a great night of music.
If you could pick any venue in the world to play, what would it be and why?
I can’t speak for the others, but my answer is a pretty normal for Coloradans I imagine: Red Rocks. It’s a natural amphitheater and I don’t know if a venue can get much cooler than that.
Any exciting gigs (either in or outside of Colorado) coming up?
Of course we have the music video showcase this Thursday at Crossroads Theater, but other than that we’re really excited about January 13th at the Meadowlark with our good friends Dave Preston, Dore Taylor, and Erick Rudolph and the Township. Also, we will be opening for Churchill’s CD release in February (details coming soon). They heard our set at the Hi-Dive and wanted us play with them. I got to know their lead singer as he drove me to the impound. Good times…